Inverted Drawing 2017
Inverted Drawing 2017
2017
鉛筆、紙 / Graphite on paper
H51.5 × W39 cm (Sheet) / H56 × W42 cm (Framed)
Status: Price on Request（要問合せ）
Representative gallery : Semjon Contemporary (Belrin)
Photo:Eric Tschernow
線と背景（紙地）を逆転させる視覚的な実験を通じて、現在の「Grid Animism」の哲学へと至る重要な前兆を示した2017年のドローイングです。画面上の黒い部分はすべて鉛筆（黒鉛）の集積であり、白い線や面に見える部分は、緻密に塗り残された紙そのものの白（余白）です。直線的な市松模様のグリッド（理性・構造）と、その中心で円形に絡み合う無数の有機的なストローク（生命力）が重なり合っています。「黒い線と白い線」「図と地」が反転しながらせめぎ合う構成は、相反する二つの原理がひとつの空間で拮抗するダイナミックな緊張感を定着させています。
Through a visual experiment that inverts line and background, this 2017 drawing serves as a crucial precursor to the current philosophy of “Grid Animism.”The black areas on the surface are entirely composed of densely applied graphite, while the visible white lines and planes are the meticulously untouched negative space of the paper itself. A linear, checkerboard-like grid (representing rationality and structure) intersects with a circular accumulation of countless, entangled organic strokes (representing vitality) at its center. This composition, where “black lines and white lines” or “figure and ground” continuously invert and contend, captures the dynamic tension of two opposing principles rivaling within a single space.
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